Showing posts with label exhibits. Show all posts
Showing posts with label exhibits. Show all posts

Wednesday, October 6, 2021

Pictures at a Closed Exhibition


Untitled

On a personal note, if it seems I haven't been giving Lao Ren Cha as much attention as before -- that is correct. I'm consumed with a couple of bigger projects that take a lot of time and attention, but I'm not willing to talk about those now. And when it comes to current affairs, Nathan Batto and Donovan Smith have covered the KMT chair election and incoherent protesting (the signs literally say "Protesting!") sufficiently; I have nothing to add. I don't even want to touch the head-scratching "Taiwan Agreement", which of course does not exist. 

Instead, I want to talk about culture. Specifically, share some photographs from a now-closed exhibition at the Tainan Fine Arts Museum, which has two buildings: the Art Deco police station across the street from the Confucius Temple, and a modern, angular building just to the east of it. For visitors, the shop is in Building 2 (the new one) and a cafe which includes outdoor seating in the courtyard in Building 1 (the police station).

That the Japanese colonial era police station (itself a work of architectural beauty) later used by the KMT colonial dictatorship and their jackboot thugs, is now an art space dedicated to Taiwanese artistic expression and history is itself a type of art, I must say. To then take that space and fill it with Taiwanese temple art the same way European museums are chock full o' Jesus is another subversive and anti-colonial act: no colonial power, from the Qing to the Japanese to the KMT, has considered Taiwanese temple art, well, art.


Untitled

Paying Tribute to the Gods: The Art of Folk Belief closed months ago, but its core purpose continues to influence my thinking -- the exhibit explored the intersections of traditional religious art in Taiwan with modern society, and where design meant to facilitate worship or prayer intersects with art and design. 

The exhibition book makes some interesting points: that in Taiwan art museums shy away from including obliquely religious art from Taiwan, because that's for temples, not museums: but why should they be? In Europe the museums are packed -- packed -- with religious art. Why should the notion that religious art can still be art apply to Europe but not Taiwan? It also notes that as Taiwan was not a center of 'high culture' during either the Qing or Japanese colonial eras, and neither sought to make it so. Although artists still emerged as one might expect, many artistically inclined people expressed themselves through trade or craft training, and many of these found opportunities to offer these expressions through temple art

Which, when you think about it, isn't all that different from pre-modern Europe.




Finally, the exhibition notes point out that temple festivals and parades produced art themselves, through flags, banners, palanquins, paper talismans and performances (the Eight Generals, tall gods), which rendered this 'temple art' into a normal part of people's daily lives, and which offered opportunities to incorporate creative design ideas.

The exhibit aimed to express this by showing traditional art -- antique painted door gods, three-dimensional gold embroidered banners, old talismans -- with modern interpretations of it. These include paintings and multimedia canvases from different eras, a light, film and text installation, sculpture works and more.


                    


I won't bother trying to describe them to you, rather, take a look at the pictures below and enjoy these works on your own terms. If you'd like to know the creator of any given work, let me know in the comments and I'll try to look it up in the exhibition book. 

This also got me thinking about Taiwanese vs. Chinese culture in general. I still hear the refrain that Taiwan and China "have the same culture", "largely share a culture" or "have the same language" and "cultural touchstones". It's difficult to say there's no truth whatsoever in this, but it's a deliberate and problematic oversimplification.

It's problematic in that it serves the purpose of tying Taiwan closer to China, perhaps closer than it rightfully ought to be. This argument is rarely, if ever, stated as a neutral observation. The intention is almost always to push the idea that Taiwan is connected to China and cannot escape that, which then opens the door to preposterous arguments that Taiwanese should entertain China's opinion about their country as having the same validity (or almost the same) as their own.

              

There are easy defenses to this: Taiwanese whose families came over from China hundreds of years ago did bring their traditions with them, but they've evolved so much that they're now unique to Taiwan. But those traditions came from a specific part of Fujian, they didn't represent China as a whole. Good examples of this include the Green Lion and the Eight Generals: both cultural touchstones specific to the part of Fujian that most settlers came from which are now common in Taiwan, but non-existent in China.


          Untitled

To call them generally "Chinese" is to construct an idea of what it means to be "Chinese" to serve your own opinion (usually, with these types, that Taiwan is some part of China). Cultures are non-static, they all evolve. Taiwan has not meaningfully been a part of China since the 19th century, and even then China's control of Taiwan was incomplete and -- dare I say it -- half-assed. But even if it hadn't been, think of any country and imagine how its culture has changed since 1895. 

And, of course, Taiwan has been influenced by Indigenous, Japanese, Western and KMT diaspora cultures in ways that China has not, while developing its own history and identity. All the while, China was changing in an entirely different direction. 



Untitled


But most importantly, in my mind, is that how one relates to their cultural touchstones is a big part of defining 'culture'. This isn't an original idea of course, but it bears a note here. Yes, China has temples just like Taiwan. Not as many, but they're there. But the way Taiwanese people relate to their temples, and how they express that through art, is an expression of culture as well. This isn't just true with religion, but everything. This is a somewhat ineffable concept, so I'll just say that every time I come across something that appears culturally 'Chinese' or 'Japanese' in Taiwan, I do find that the way people relate to it and incorporate it into their overall worldview is still uniquely Taiwanese. 




I attempted an example of this difficult-to-express observation, but it turned into something that could be its own post, so maybe I'll write about it another day. The short of it is that no, beyond some old links (much as the US, Canada and Australia have with Europe) and some aesthetics, I do not at all think that Taiwan and China have "the same culture". I've lived in both countries and honestly, it has been exactly that: the experience of living in two different cultures.

In fact, the exhibit itself is an example. China has temples too. Some are still open, some have been restored, at varying levels of quality ranging from "good" to "bathroom tiles". You can visit them, though they're no longer sites of community gathering. 

Would anyone, anywhere in China be allowed to take over an old police station to showcase works of art that offer modern interpretations of and relationships to traditional cultural and religious belief, in a blatant artistic act of anti-authoritarianism -- literally deconstructing authority -- that centers local narratives?

Doubt it. 

That, not dragons or temples or banners, is Taiwanese culture. 

So for now, enjoy some pictures.


Untitled


Untitled


Untitled

                   

Untitled



Untitled

                    

Untitled

Untitled

                    

Untitled


Untitled


Untitled

                     

Untitled


Untitled

Untitled


Untitled


















Monday, October 15, 2018

Go see "Nude" in Kaohsiung - and Taiwan, promote your events better!

0-2
Go see Nude!

Last weekend, I had the good fortune to go to Kaohsiung for a few days to take part in a tourism-related conference. That part was interesting, but not something I feel the need to blog about.

Being down there, however, gave me the chance to see one of my oldest and closest friends in Taiwan. Helping to run the family business mean she doesn't have a lot of time to come to Taipei, so we often see each other when I'm able to head down south. For those of you who think I'm a public transit snob who won't grace an old-school Taiwanese scooter with her precious princess bum, I actually had a blast riding around Kaohsiung county (technically 'city' but that was a stupid change and I won't dignify it) and downtown on the back of her scooter. I just won't drive one myself, because I value my life.


43178746_10156779845406202_5088345689415483392_o 


Anyway, we decided to check out the Kaohsiung Museum of Fine Art, which is currently hosting "Nude", an exhibit of works on loan from the Tate Modern in London.

The theme of the exhibit is nudity in modern art, and it discusses (with well-planned wall panels in English and Chinese) the evolution of nudity in art through the late 19th century to the modern era. It includes some stunning - and some head-scratching - cutting-edge modern work along side classics by Matisse, Rodin, Renoir and Picasso.

To be frank, it was just an amazing exhibit. It was fine art of a high calibre which is a real treat in Taiwan, with a smattering of well-known masters but not necessarily focusing only on the big names. It featured Rodin's Kiss, which is one of the great works of Western sculpture. The evening we went, a concert was being planned around it featuring modern works of classical music.

Photographs were not allowed, so you'll have to make do with a shot of the brochure and some postcards I purchased.



0-3
A Matisse and a Nevinson



The exhibit runs through October 28 and costs NT$280 (with concessions including a student discount), so you still have time. Go see it!

I mean, I was just in London. I went to the Tate Modern. I didn't get to see stuff this great there!

Here's what keeps nagging me: I had heard that this was taking place through the local grapevine, though it wasn't promoted in any way that made a huge impact on me. I had forgotten that it was still running, and in fact though I wouldn't get to see it as I was away for most of the summer. My local friend had to remind me that it was still an option.

When I got back to my hotel, I searched a bit to see where news of the exhibit could be found by tourists (plenty if information is available in Chinese, and the exhibit seemed to be locally popular, with the museum staying open until 8:30pm that Friday). A few articles from over the summer mentioned it, including the Focus Taiwan one linked above. After that, nothing.

A visitor searching for events in Kaohsiung in September or October (perhaps even August) would have trouble finding out that this exhibit existed, especially if they were a foreign tourist searching in English. The information is there, but it's hard to find for travelers. About to attend a conference on tourism promotion in Taiwan, this struck me as especially strange.

As a traveler in Kaohsiung - although a domestic one, as Taipei is my home - I was keen to see the exhibit, and yet would likely not have thought to go if not for my friend. And I actually had known about it! Imagine a foreign tourist here who hadn't seen any of the local news items featuring it when it opened. They'd have no idea.

Here's an example of what I mean. If you search for events in Kaohsiung, you might come across this website by the Kaohsiung City Government. It's actually a pretty good website in a variety of languages, which is already exceptional for Taiwan (where websites in English are often so terribly-designed, unclear and devoid of real information that they are essentially unusable and, I have to assume, only exist for decorative purposes or so that someone could give their nominally-English-speaking nephew a website development contract).

But if you actually search for events, say, this weekend, this is what you get:



Screen Shot 2018-10-13 at 2.49.06 PM
Same thing for no keyword, "art", "museum" and "nude"


Nothing.

Put in some keywords (I tried "museum", "art", "nude" and "tate") - still nothing. A tourist using this site would never have found the sublime exhibit I was lucky to see.

It really seems as though events in Taiwan are either heavily publicized but terrible, or great but not promoted well or consistently.


So, hey, Taiwan. You can do better. You have interesting events that travelers will want to know about. Make sure they do!

Monday, April 4, 2011

Links: Women in Taiwan

Two recent Taipei Times articles worth reading:

Exhibition focuses on the changing roles of women - I haven't seen this exhibit yet but I intend to, and will write about it when I do. I can only assume that there will be no English signage.

Empowering women in the world - an interesting editorial. Shame on the DPP politician who said what he did about women in power, but I still hold that the more progressive DPP is friendlier towards women's rights causes than the socially conservative KMT.

Wednesday, August 19, 2009

Creepy Dolls


In my last post I ended with the creepiest of the modern-style puppets (布帶戲)on display at the Red House Theater in Ximen. He was sort of a Chucky Meets Puppet Clown Meets Eastern Orthodox Priest Zombie, and utterly terrifying:

"Take your Communion, little Josef, and then I shall EAT your BRAIN."

But that exhibit had plenty more than Happypants the Exorcist Clown above. There were placards and signs with history and artistic notes on the puppets, but I won't repeat anything here. You'll have to go see for yourself.

There was also this guy:

Regal as he can be with Christmas lights on his head. And this guy:


...who is thinking very unhappily of something. Near him is one of the puppets that actually resembles traditional bu dai xi:

This guy and his monster/goblin/immortal/spirit brethren show up a lot in antique puppets and traditional shows. Unlike the guy below, who is quite unique:

...and seems to happy to have a foot on his head. Not nearly so serious as...

...this guy, who really needs a vacation. As for the puppet below, I once took a photo with far too much flash of a statue of Chiang Kai Shek, and it came out looking somewhat like this guy:

No really, it did:

Well, I think it did, anyway.

The guy below reminds me a lot of the demon Ravana from the Indian epic the Ramayana (sort of like the Odyssey of Indian literature. I consider the Mahabharata to be more like the Iliad, and it makes one wonder if the tradition of two great epics, one about a war and the other about a dashing adventure, has some sort of subconscious basis (but then Chinese literature has for epics and they don't quite fit those roles), or if those stories are rooted in extremely ancient Indo-European myths that are far older than we ever imagined.

Anyway, Ravana, Taiwan-style:

And for good measure, a random missionary?